ANDRE PRSONAL TRAINER

Abstract: Even an on-camera flash grab shot can be elevated by an intuitive understanding of light and color. As your understanding of light and color grows, how does it affect your daily shooting? Like most things that seem complex at first, color pretty quickly becomes a secondary thought process, just like tying your shoes. I just had the above archive photo picked up by a nonprofit, to promote children's books. Looking at it, I'm reminded that creating a natural looking color need not be complicated at all. This was a little more than a snapshot, done with on-camera flash, and no gels. And the thought process behind the light is a good example of how you'll start to see and control color, even if you're just grabbing a snapshot. Read more »

Abstract: A dynamic, 3-D scene and hundreds of sources—a talk with a theatrical lighting designer Photo © Lucas Krech Today in Lighting 103, a little side trip. Fair warning: we are taking a bit of a deep dive. For some of you this will make your eyes glaze over. But for others, it'll be a very cool look into the way live performance lighting designers think with respect to color. No worries; we'll be back in the center of the bell curve in the next installment. A Chat with a Lighting Designer New York-based Lucas Krech is a lighting designer who works with operas, dances, plays and performance pieces. He is also is a photographer, which is how we originally intersected via Twitter. A ways back, I wrote to him to find out a little more about how people approach the process of lighting live performances. What I got back was basically a firehose/brain dump that gave me a fascinating look into how he thinks. Read more »